undefined, 视频播放量 undefined、弹幕量 undefined、点赞数 undefined、投硬币枚数 undefined、收藏人数 undefined、转发人数 undefined, 视频作者 undefined, 作者简介 undefined，相关视频：. 5. Between the prores and cineform, I'd say there wouldn't be much difference apart from the file size maybe? I don't have much experience with Prores as I'm on a PC. Votes. I could not notice any discernable difference between scrubbing performance, or the time it took to transcode. When working exclusively with ProRes in Premiere, it’s a good idea to export to the exact same ProRes profile and then transcode to h. This tutorial will gui. Meaning that all frames are complete data-sets for that frame. It uses a lot of cpu power to decode and display the data in h. . Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. Original . That will speed things up a little. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. There was also a 12 bit Bayer raw Cineform conversion offered in the original software. mov master file itself, but rather only when I try to re-encode from that master. Provides real-time editing performance comparable to or better than that of any other HD codecs in Final Cut Pro. This means Windows users can read a ProRes encoded file, but in some cases cannot export one. 2GB - 786,334 kbps. DNxHR and ProRes are comparable in quality at the same bitrate. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Cineform is best if your project will be going cross-platform at any point. MPEG-1, MPEG-2. Developed by. They're not painstakingly tweaked for the best possible quality at a given bitrate. It is equivalent to Prores 444 HQX more or less. Go to Sequence > Sequence Settings > Editing Mode: > Custom. For lossless source videos, the Apple ProRes is a good choice. ProRes 422 LT. 264 is terrible to. Neil. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. 264 for possible quality though much bigger in file size. 265 is a new standard that all iOS devices use as a default video. After FFMPEG implemented their version of ProRes everyone hoped. CDNG is a 12-bit 444 image sequence that records each frame as an individual image file per frame, this would mean you have have 24 files per second when shooting at 24p. I guess, Cineform debacle was no big deal for some members of the forum, who claimed that they never used Cineform, which "was a stop-gap format for HD shot video 10+ years ago. At this point in time working with Cineform basically locks you into using only Adobe tools. 6 and later; iPad Pro 12. Both Cineform and Prores are designed to allow the fast decoding of fractional resolutions. It was designed by software developers that for decades had suffered implementing "industry standard" codecs such as MPEG2 or H. 1, MacOS 12. Por outro lado, o H. Just to then reencode to H264 lossless, which then gives a tiny fraction of the size of Cineform for low motion content such as screencasts and tutorials. My source files are already 4K ProRes MOVs, but since Premiere on Windows can only decode ProRes, full-res performance is pretty sluggish even at 1/4 the resolution. 264/265 - Shutter’s got better codecs ;-) Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. „Can you prove it“ you ask. First go to File > Export > Media and create a new export preset by selecting H. UPDATE: WHY USE HEVC – PART 2. Click OK. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. 976. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. Codec MP4. There is no way to change import settings, but i'm definitely sure, that these. The CineForm codec has been in development for 16 years, overseeing many innovations in the video production market: it ushered transition from standard definition to HD, and it was. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？It is always best to render out to a higher resolution codec first, this could be a Quicktime Animation, PNG, ProRes or Avid DNxHD, Cineform for example. NOTE: Here’s an article I wrote a few months ago that describes the HEVC codec in more detail. It is not BRAW, but CDNG 3:1 vs ProRes ahem 422 LT on the URSA 4. ProRes 1080 is around 115Mbps. 264 instead (at the same data rate). I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. There is no way to change import settings, but i'm definitely sure, that these files have more bit depth (checked using Nuke, ffprobe, PotPlayer). Neil. 2K to see the difference between them. 48/3=16. Studio for >=4k/Dolby P3D65. 这里推荐笔者常用的两个编码格式。. Examples are ProRes, Cineform, and DNxHR. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. 视频去哪了呢？. CineForm. The only real downside to this method is the high storage requirements and the need for good hard. 8 or later. Apple ProRes support: With the latest Adobe updates, export presets for Apple ProRes, including ProRes 4444 and ProRes 422 formats are available within Premiere Pro, After Effects, and. An important difference, however, is that some of the major editing and finishing systems available lacks support for ProRes encoding for Windows. I am a paying customer. And when using the GoPro CineForm conversion tools to do the conversion, the 8-bit 4:2:0 source files are up-sampled to 10-bit 4:2:2 files. It uses clever code to compress the raw data and a set of metatags to describe how the raw data is handled (for example ISO and white balance). For example, ProRes encoded with FFmpeg is not licensed by Apple and may have issues that have not been yet uncovered. Choose source files in the project window → right-click → Proxy → Create Proxies. Cineform is an excellent alternative, but a bit slower on Macs. It must decode every frame fully. 1) 6. 화질 테스트. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default)Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Re-encode the H. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. He then converts it to GoPro Cineform using GoPro Studio for editing in FCP X. Upvote Translate. 264. Rendering TBs to Cineform is such a pain in particular on laptops. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. Yes, ProRes 422 is vastly better than any H. Exporting out of one generation (camera originals) of H. youtube re-encode it anyway. 테스트 PC : i7-5820K @ 4. The author states: "This is much bigger of an issue than I thought originally. HEVC compresses video in a more efficient manner than AVC but with the same level of image quality. Ps. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. mp4 -y. Daniel2 is different. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). MPEG-PS, . Change the Preview Render codec to ProRes, Cineform, or DNxHD. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). Follow; Report; More. It therefore ensures high-quality results while managing large 4K video files. Render from phone: mcraw > DNGs and use them after with external software. Maintains superb quality even after multiple encoding/decoding generations. An iPhone 13 (ProRes) can shoot 4K videos that are 5. proxy (0) lt (1) standard (2) hq (3) 4444 (4) 4444xq (5) The FourCC codec IDs for the different Apple ProRes. Import H. We would like to show you a description here but the site won’t allow us. Right now it is not clear what High, Medium and Low mean from the interface itself, which is bad for a variety of reasons. 265 files to the software. Meaning that all frames are complete data-sets for that frame. But making a video isn’t the same as writing a blog post. Additionally, ART supports QuickTime/ProRes or MXF/ProRes, as well as the CODEX HDE (High Density Encoding) file format. Under 'bitrates adjustment' click 'VBR' until it says 'CQ'. 264 video codec and AAC audio codec. 265 requerem 15 Mbps de velocidade de conexão à Internet para mostrar vídeos com resolução 4K. 265 didn't exist. 264/H. Para uma visualização ideal, os vídeos H. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. These programs will include Premiere Pro, LR Timelapse, Lightroom, After Effects, Photoshop, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. 264 and MPEG-2 which tend to be around 4:2:0+ can easily preserve this old footage while saving you space on your hard drive. Now is the time for a tea break, stretches or anything to get away from your. The Cineform proxies are actually smaller than the 4K - UHD footage. Additionally the CineForm files are loss-less. I get 48. 264 but rather prores of cineform. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. It must decode every frame fully. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. CineForm - An open-source video codec created by David Taylor, David Newman, and Brian Schunck. Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores. 264 make good proxy codecs (cineform is rather large and h. It will help you determine how much room you need in order to create an effective and professional-looking video. video comes more down to signal chain and how you process your files. ビットレート比較. Last, but not least, is a sample of GoPro's Cineform codec processed through Adobe Media Encoder. Yet another editing compression scheme with similar performance to Apple ProRes and. ProRes, DNxHD or Cineform : Cinema 4k 4,096 x 2160: 1024×540 (1/4 size of full res) ProRes, DNxHD or Cineform: FHD (Full HD) 1920×1080: 480×270 (1/4 size of full res) ProRes, DNxHD or Cineform:. Even crapy old laptop will do it. I tested a few clips with DNxHR (after being tossed into Media Encoder) and timeline playback is now flawless. Yes, ProRes 422 is vastly better than any H. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video. 6Mb/s,. 264/AVCHD, own that space now. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Discussion in 'CineForm Software Showcase' started by Kris Koster, Feb 4, 2011. The guys at Blackmagic Design don’t sleep. We know that the latter two are wavelet codecs, and we know now that they're edit-friendly, and we know Cineform is an absolutely fantastic intermediate codec. These will show the options in the next step. ) CineForm; These formats are easier to edit because each frame recorded by the camera contains the complete set of data to display that frame. ProRes. 테스트 PC : i7-5820K @ 4. The five levels of encoding quality are selected separately from the format, so higher levels of compression are available for 4444 content compared to the limited options available in. 2, MacOS 12. 3 and Fusion Studio 17. Pepper) When it comes to creating archival/master files, there are a few competing codecs to consider, the most popular of which are ProRes, DNxHR, and Cineform. Report. Container vs. 摘要. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. I think. Re: h264/265 vs DNxHR LQ proxies in Studio. The problem is: it’s frickin MASSIVE. You can pick other formats than ProRes. 5. So much better. Fixing mistakes on watch down can be easily repaired and a re-export takes a. GoPro Cineform is a high-quality codec, similar to ProRes and DNxHD, in that it is optimized for high quality and efficient editing. Reply. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？1 Correct answer. 7. HEVC – High Efficiency Video Coding. Meaning that all frames are complete data-sets for that frame. AVC is short for Advanced Video Coding, and the standard was first published in 2003. macOS and iOS. 8. Reply. Apple’s ProRes video format is a high-quality lossy format that supports up to 8K. Cineform Low is a higher datarate than ProRes Proxy Cineform Medium is a lower datarate than ProResLT Cineform High = ProResSQ Cineform Filmscan1 = ProResHQ Cineform Filmscan2 = Doesn't have that high Cineform 444 not equal ProRes444 -- CineForm 444 is RGB based, ProRES is always YUV Cineform 4444 not. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. 7. ProRes, DNx and Cineform are all optimized for editing. Reply. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. 264/MPEG-4 files, transcoding to a more efficient codec for editing – ProRes, Cineform, DNxHD – makes sense, even though it requires more storage. _哔哩哔哩_bilibili. I am not the prosecutor in a court room here. ProRes vs DNxHR vs Cineform (i. Prores is VBR, DNxHD CBR Prores is ALWAYS (at least) 10 bits, DNxHD only on the ‘x’ flavours Prores is resolution independent, DNxHD has a flavour per resolution, and that is a limited set. To get better performance in the edit, you need to use an intraframe codec like Prores, Cineform, or DNX. Render mcraw to DNGs or ProRes/Cineform files from🖥 PC/Mac OS using 🔗MotionCam Tools available for download from. However, if you have a weaker CPU or are doing CPU-intensive effects you might want a codec like Cineform. It’s a family of six quality standards, from the space-saving 'ProRes 422. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. 264 is one of the worst codecs you can edit. h. There was a noticeable difference between 4K ProRes and 4K H. ProRes HQ (avg: 61. Good for performance, yet still. The compression quality is controlled by the Quality slider in the Export. PhotoJpeg - will render fast and give good quality. 5GHz, 32GB, GTX1070 테스트 방법 : 각 코덱으로 인코딩된 파일을 프. There are a lot of variations of ProRes such as ProRes 422 and ProRes 4444. We’re making this change to improve playback and export times when working with rendered preview files. MP4 format for the best high quality video uploads, so that should be your first choice. So why not H. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. So much better. Cineform uses "wavelet" compression, which means that computing up/down resolutions is very fast compared to other codecs. Codec vs. I rendered a video clip in 5. 5) will now natively support ProRes Raw, finally opening up editing of Apple’s Raw video format to all Premiere Pro users. 264/265, both will be smooth. In order to transcode the ProRes file to your target codec, you need a tool that supports reading the first and writing the second one. It's never advisable. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. Hence it is more efficient to store the information at frame 1, then store only what changed in frame 2. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. Sign in with Facebook. 37GB, 864Mb/s, 5760x2880. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. Now the difference between a proxy and an intermediate. If you choose Cancel, you can resume scanning the library and convert the incompatible files at any time in macOS Mojave: In Final Cut Pro, choose File > Check Media for Compatibility. It will show you the bitrate of. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. H. 视频不见了？. If you aren't making that many edits and primarily have talking heads and a bit of broll you'll probably be okay. #5. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. mp4 HEVC 444 10bit/16bit. Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. 4. CineForm is compressed raw, much like REDCODE on the RED Epic. The selected format determines the preset options that are available. It would be great if the proxy options could show more information. The most common now are 1920 x 1080 (1080p, or “Full HD”) or 3840 x 2160 (2160p, or “UHD” or “4K”). avi -c:v prores -profile:v 3 -c:a pcm_s16le output. In Sequence Settings, set Editing Mode > Custom. Best file format to use on YouTube. HandBrake can open a number of production formats produced by professional video cameras and NLEs, including MXF, MPEG-TS, and QuickTime, along with common video codecs such as CineForm, DNxHD, DNxHR, ProRes, XAVC, and XDCAM. 265. I wanted to see how they'd compare in a real-world example. 7. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. MP4, this way you can have more control over your. I tend to use DNxHR SQ (Standard Quality) at Quarter Resolution. To use it, you must enable it's plugin. 2) 5. YouTube itself recommends using the . Change the output settings to Quicktime, and select ProRes 422 (HQ) or Cineform (Q4) as your codec. You will need to restart the editor afterward. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put their money on Cineform being their default. For this reason, many post-production facilites have abandoned ProRes and implemented a full DNxHR workflow. You might try transcoding your 4K footage to 720p ProRes proxies. . It is save to say that any of the above options could be used in almost any situation as a universal codec for capturing, editing, delivering and archival all-in-one. mov, . Thus CineForm 444(4) would be a more appropriate intermediate and interchange format these days. Probably slightly better IMO, but both should be visually lossless. 16-bit TIFF image sequences. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. )For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. The added benefit is much faster exporting by using smart rendering. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. While AVC is a compressed codec, Final Cut Pro X (unlike Final Cut Pro 7) can edit. Community guidelines. We’re making this change to improve playback and export times when working with rendered preview files. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. Prores vs proresLT on a average-ish desktop editing setup at a variety of workflow stages. The added benefit is much faster exporting by using smart rendering. 265 to ProRes Converter and run it. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. ago. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. Apple ProRes is a high quality intermediate codec used for insanely fast editing performance, at the cost of extreme CPU, Memory and Disk requirements compared to other codecs. Votes. Yes, ProRes 422 is vastly better than any H. ProRes is only standard because of apple ecosystem. Codecs designed for editing (DNx, Pro Res, Cineform) will performance WILDLY better than h. At full quality it's not that much easier than ProRes or DNxHR. Translate. Daniel2 Codec Summary. Change Video Previews > Preview File Format to: ProRes 422. 264. 264. mp4 HEVC 444 10bit/16bit. Aug 19, 2022. 5. 265, vp9, dnxhd, cineform and prores. From there you should be able to find ProRes 4444. Report. Originally Posted by Cornucopia. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. . I've also heard this gives 4:4:4 color depth since you're sampling multiple pixels down into one pixel. Kris Koster New Member. What is the Best Video File Export Settings for YouTubeDownscaling and transcoding to ProRes or CineForm at 1080p can convert the RGB 4K data from the GH4’s 4K 100Mbit/s codec to the higher bit depth of 10bit and colour sampling of 4:4:4. GoPro Cineform. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. Very confusing, especially when someone could choose "Low" in Resolve and get Cineform Medium, or "Least" and get Cineform Low! BMD Pocket 4K / MacBook Pro 16" (6-core, 32GB RAM. Improve this answer. AVC. Studio for >=4k mj2 – – yes Kakadu. Initially, H. Both CODECs use a much more simple, and thus less effective compression, method and also without inter-frame compression. will do the trick. 1. While there are some exceptions of apps and devices that can play ProRes. Neil. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate. Hello! I noticed, that when i'm importing these types of files. 264? The hard truth is that H. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. Neither cineform nor h. 4375 MB. To illustrate the differences, I took my original test video into Adobe Photoshop, added the compressed video to the layer above, set the compressed video layer’s blend mode to. In most cases, ProRes is a better choice than MPEG for. CineForm Intermediate is an open source (from October 2017) video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. It still should be faster to decode than DNxHR as it's very well designed/optimised codec. ProRes 422 LT. 264 for possible quality though much bigger in file size. These programs will include Premiere Pro, LR Timelapse, Lightroom, After. All of these codecs, including Apple ProRes, work on macOS and Windows 10. This reference list provides you with a quick and easy way to identify the formats and codecs supported by Blackmagic DaVinci Resolve 18. mov. DaVinci Resolve 17. Read below to explore more about this codec and what is unique comparing to other similar codecs like CinemaDNG and ProRes RAW. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. When looking at quality, there is no visible difference between dnxhd and cineform. Download. Worth mention is that one have a Quality slider for all CineForm exports. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Reply. ffmpeg -i <input file> -c:v prores_ks -profile:v 4444 -vendor ap10 -pix_fmt yuv444p10le -acodec pcm_s16le output. The projected data throughput is roughly 147 Mbps at 1920x1080 and 29. I dont understand its purpose any longer. 264 for possible quality though much bigger in file size. 264. Both are good mezzanine codecs. Nils Welter Avid DNxHD 175x 10-bit. Depending on the flavor used, compression will be around the same as a similar quality ProRes or. more Understanding. It has a target data rate of approximately. Everything in the folder is reencoded from 4k h. Sign in with TwitterWith codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. YouTubeでは、ProResやDNxHR、CineFormといったプロ用コーデックが使用できる。 なお、上記の「PCM ファイルなどはYouTubeにアップロードできません」というのは音声ファイル自体の話であり、動画コンテナ内のPCMには関係がないので、 安心して動画にPCM音声を使っ. GoPro Cineform, the cross-platform codec now in Creative Cloud, also produces high quality results. ago. Typically I use the following codecs - h. . AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. 6. Earlier this year, Adobe started selectively supporting ProRes Raw, but only for Windows users running Nvidia GPUs. Report. So here's an attempt at. Whereas the bit rates for compressed codecs are usually in the double digits, these higher end codecs’ bit rates are often hundreds and sometimes even thousands of megabits per second. ) You can always toggle the proxies off if you need to view the image at full resolution for VFX work or whatever. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. Reply. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. " Well, DNxHD is also on the chopping. Intermediate vs Long-GOP in a nutshell. I know a good number of people starting using Cineform again.